As my second year of being a professional artist commences, I've learned that it is important to make a plan for the year ahead. This helps me not feel too overwhelmed and space my projects through the year efficiently.
So far what I have planned is:
A wedding invitation commission, entering the David Shepherd 'wildlife artist of the year' competition of which I plan to make two new paintings before the end of March when the entries close, Bluebells painted in remembrance of my Grandfather, a golden Peacock for a hotel in London, a dog and a horse portrait, a collection of works for a hotel in Windsor and a collection of paintings for an exhibition I am planing to host at the end of the year. This list will likely evolve and change as 2022 progresses but right now this is what the next 12 months look like for me.
At the moment I am waiting for supplies I've ordered to come in so I can start my paintings for the DSWF competition. I'm really excited about making these paintings and have spent a long time over the past few weeks planning them. One painting will be a male Bornean Orangutang photographed by Adam Humpherys, which I will submit to the 'Endangered' category. The next painting (if I have enough time to paint it) will be a panorama of a coral reef. As someone who has spent a significant amount of time underwater, I have always dreamed of making a large scale coral painting. Now I feel I have the skill to be able to produce something worthwhile and have teamed up with a number of underwater photographers I knew from when I lived in Indonesia. I have taken elements of their photos and created a new composition which combines all the photographers work and hopefully shows a realistic looking seascape. Both paintings are ideas I have wanted to do for a few years so I'm thrilled to finally be making them.
I've also been given the opportunity to do a horse portrait which I am really excited about as I've been wanting to paint a horse for a few months now. I even tried going out and photographing my mothers horses to practice on but I never seemed to take a good enough reference photo and gave up. Now, my client has provided me with a photo that they would like to have painted and the hard part is removed!
Finally, last year I spent a few months creating a collection of eight paintings for a hotel in Bath and these are to be displayed as prints in each of the bedrooms. I relished the change to be able to freely explore other realms of my artistic practice that I had never given much attention to in the past and create artwork that was entirely out of my comfort zone. I did find that this was actually much harder than I expected and creating a collection of artwork that I didn't feel to reflect my own style ended up being something I really struggled with. Thankfully the Bath hotel has a sister hotel in Windsor and they have asked me to do a similar project for them too. I am looking forward to spending the latter half of the year working on the project and this time I will do more research to determine what style of work I will be comfortable with working in for an extended period of time.
All in all, it's looking to be a busy year and I hope I have the gumption to document it all and keep posting it on here and on my social media platforms for all to see.
As ever, thank you for the support.
With warmest wishes,
Charlotte
Charlotte Sutton is a Photorealistic artist bringing nature and wildlife to life, based in London, UK.